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John Maus is a member of Pop Singer. Does John Maus Dead or Alive? Ibrahim Tatlises Pop Singer. Cheryl Miles Pop Singer. Meg Frampton Pop Singer. Colbie Caillat Pop Singer. Adam Lambert Pop Singer. Harris Alif Pop Singer. Son Juyeon Pop Singer. We have estimated John Maus's net worth, money, salary, income, and assets. Maus relates his erratic stage demeanor to "the hysterical body". Accordingly, the purpose of the display is to combat the "play-acting" involved with live music and affect more sincerity in the performance.
This ties in with the idea meant by "we must become the pitiless censors of ourselves". As he explains, "What I'm trying to do is appear as something else than the world as it stands In various interviews, Maus advocates for "truth" in music. He refers to a tendency of popular music criticism, specifically its reductive engagement with "at-hand genre and at-hand comparison, then it moves on to the next thing.
He adds that the "truth content of any work, I suppose, is the extent to which it accomplishes something else than what it is. His fourth official album, Screen Memories, was released on October 27, It was followed by Addendum on April 20, The tour begun on August 15, and lasted until the next year. His obituary stated that the cause was a "previously undiagnosed heart condition".
The remaining dates were immediately cancelled. Later in the year, Maus resumed touring without his backing band. On stage, Maus is known for his intense displays of emotion while performing. The Guardian noted him as a "ferocious theoretician" who "pogos, head-bangs and gives vent to a succession of feral howls as he jack-knifes at the waist. He is also characterized "as much a professional existentialist as he is a synth-pop musician" and that "reading his interviews can make your cerebral cortex pulse with befuddlement.
Behind these retro overtones is a desire to explore our modern relationships with pop, and its impact on our wider philosophical and cultural lives.
In , Maus married Hungarian visual artist Kika Karadi. Writings about Maus frequently link his music to his academic vocations, although Maus himself denies composing with an aesthetic or political theory in mind. He says that on some of his songs, his intention is to investigate "forgotten" electronic palettes, harmonies that were historically associated with "the divine", and lyrics which follow certain social idioms to their "absurd conclusions".
His dissertation, "Communication and Control" , discusses the influence of technology on control societies. One of his professors from the university was the French philosopher Alain Badiou, who would originate the title of his third album We Must Become the Pitiless Censors of Ourselves Maus wrote the album in "search for the perfect pop song.
With Addendum he sounds untamed, off the cuff and closer to the pulse. As a result, some of the unexpected glee and lightness of touch that comes with accidental invention courses through this album.
This makes the songs all the more unnerving and, at times, droll whilst hinting at a grander conversation at play. Addendum concludes with two 8-track originated songs from Maus dating back to So much more than a collection of un-homed songs and outtakes, Addendum proves how weird it can get when you look to the future with each rally of the second hand.
An album as an afterthought, an afterthought as album. Past Shows. View Details.
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